Tag Archives: sculpt

Creating a Plastaline Sculpt for Sponged Liquid Latex

31 Mar

Creating a plastiline sculpt for sponging latex layers onto, is quite easy as a huge amount of detail is not needed due to the top layer being what will be on show to the viewer – not the detailed under layer. However, it is important to ensure strong definition to allow the shape of the sculpt to show though. Below is a quick explanation of sculpting onto a plaster cast using plastaline.

YOU WILL NEED

  • Plastaline
  • Your Plaster Cast
  • Vaseline & Brush
  • A selection of Sculpting Tools
  • Liquid Latex
  • A Hair Dryer
  • Talcum Powder &  Brush

METHOD

  1. In order to create the sculpt, I found it was first best to create a smooth and even thin second skin for my hand in the area I would be wanting to create my sculpt – this would enable me to create small, smooth edges with my latex. I did this using plastaline, vaseline and a range of sculpt tools a long with a small paintbrush for the vaseline.
  2. 1080729_10152388398892664_1618850967_nNext, I created my plastaline sculpt, using small pieces of the clay to create shapes as per my designs, blending them into my second skin.
  3. I then vaselined my whole piece, to ensure the following liquid latex layers would not stick to my piece.
  4. Once my sculpt was completed and sealed, I added liquid latex layer by layer – using a hair-dryer in between, on a cool setting so as to not melt my plastaline and alter the sculpt shape.photo 2 (2)photo 1 (2)
  5. Having completed 7 layers of latex, leaving thinner areas around the edges, I peeled away my latex skin, powdering both the surface and underneath so they did not stick to one another.

    This image was taken 2 weeks after being produced.. it has gone hard and darker orange! I'm guessing the latex is deteriorating.

    Pre-colouring/application

The above image was taken 2 weeks after being produced… it has gone hard and darker orange! I’m guessing the latex is deteriorating. I am shooting my piece this weekend so I will just need to perhaps alter my brief from “aged skinny hand” to “fantasy aged skin hand” unless I can colour correct it slightly.

I tried using this method with cap plastic, as cap plastic blends out much better than latex. This didn’t work – not even after moisture and release sealing my sculpt.

photo 1 (1)

Failed Cap Plastic Experiement

Failed Cap Plastic Experiement

Heres a shot of my ear sculpt so far, that I have been creating using the same method. This piece has been produced to match my foam latex hand for my final SFX piece.

Photo on 2014-04-09 at 13.31 #2

Advertisements

Sue Day: Silicone Painting & Hair Punching Lesson

12 Nov

Today we had a session with Sue Day, who works at Madame Tussaud’s. We have been working with Martin from Madame Tussaud’s for a few weeks now on life casting, however Sue came in to teach us about painting silicone and hair punching.

Using a ready made silicone piece (originally of David Beckham), we practiced colouring. We used a silicone/turps/oil paint mix, creating the consistency and colours ourselves.

I wanted to work with a “flesh” coloured piece so I could create a more realistic look, but instead was given a opaque red-pink piece. I instantly gave it  green wash to try combat the horrible colour; though not knowing yet how to use the paint, I did leave a few green dots – oops. Using the flicking technique with a stiff brush and light washes with a small brush, I built up layers of colour to create a human skin pattern, paying attention to where certain colours would lie in the skin, such as more blues for the thin eye skins, where veins would show through.

Colour Build

Colour Build

She then showed us how to punch hair, the actual punching is pretty easy.

All you need is a normal needle; cut the end off the eye so you have a fork-like implement, then mount this in a needle grip handle (the same one used for a knotting needle). Next push the hair into the silicone, the key is the angle and direction. You need to study how the hair grows out of the skin to ensure a realistic growth pattern,  keeping the needle very horizontal if you want the hair to lie on the skin surface, vertical if pushing away from the body.

We were meant to use curled hair (curled by wrapping straight hair around a chopstick and boiling), however I wanted to create old man eyebrows, which often are quite messy and stick out a lot, so I used straight human hair.

Initial piece, next to the finished piece.

Initial piece, next to the finished piece.

Next stage is colouring and punching our own silicone piece… stay tuned!