Tag Archives: flesh

Silicone Mould/PlatSil Appliances

12 Jun

These past few days I have been making big progress on the SFX front… I feel like I’m actually learning useable skills now! (Thanks to Natalia!!). Having created my moulds (actually I did use PlatSil for these and created a Modrock shell to keep the shape, but as I have now realised, using a stronger silicone; such as BlueSil, would have been more appropriate), I have now started creating my PlatSil pieces, encapsulated with cap plastic (2x 1:1 dilution layers, 2x 1:0 layers).

So, my first appliance… made a couple of mistakes. Definitely don’t need accelerator on a warm day!! So that didn’t work out. I also realised I only want the PlatSil in the deeper parts – as they’re flat backed pieces, it needs to be Cap Plastic backed to make sure they encapsulate properly, stick to the skin and can be blended out efficiently.

So, Version 2.0 worked out great. Now for the other 7 pieces to make!

Photo on 2014-06-11 at 14.39 #5 Photo on 2014-06-11 at 15.52 #6

End of Year Show: Preperation

9 Jun

Over the past week I have been working on my end of year show piece. I’m working in a group with some of the really great girls in my year so I’m excited to see the final results on Thursday.

My role within the group was to design the facial makeup and create the gill and spine prosthetics – I also collaborated with Shona on some of the details of her body-paint role. We all discussed what each of us had worked on and brought our ideas together to create a final plan we were all happy with, updating each other regularly with our progress on our Facebook group.

Today I am in Uni, creating the PlasSil moulds.¬†I was originally going to create 3D transfers using Pro-bondo however I have realised this won’t really work as I need to use the moulds to make several pieces. So I’m going to use liquid latex. I hate using liquid latex for prosthetics; alas, needs must. I’ve been speaking to Grace McComisky about how she creates her pieces as I need to work on more substantial materials for my appliances! (PS. Anyone want to give me some make-up work so I can earn the money to BUY these materials – much appreciate ūüėČ )

Onwards!

First Layer of PlatSil

First Layer of PlatSil

 

Applying and Colouring a Foam Latex Piece.

13 May

Today I completed the final step of my fiberglass mould/foam latex piece process.

Having completed my hand and left it to set, I returned to apply it. Despite being stretched over the mould is did shrink slightly, however not too much that it couldn’t still be applied.

Being short on time and seeing as the hand had been cast from my own, I decided to just apply it to myself. ¬†Unfortunately I’m right handed, and the piece was on my right hand; so I’d given myself a challenge.

I covered the area of my hand that would be touching the prosthetic in pros-aide, and then applied pros-aide to the piece. Once they had both become clear and tacky, I gently started from my finger tips and stretched the piece slowly over my hand. It stuck perfectly. As the edges were slightly too thick, I used pro-bondo (a thickened pros-aide) to smooth down and blend out the edges.

1491675_10154155786290722_8256613221157509973_n

Once I had done this I had two colouring options. A) Illustrator (alcohol based paint) or, B) Pax paint (equal parts of pros-aide and acrylic paint). Having had more practice with the illustrator i decided to go for this – I couldn’t seem to mix the Pax to the colour I wanted. I layered up my illustrator colour with a stiff brush, spraying the colour across my hand, I then used a thin brush to accent the shadow and highlight around my circular edges.

Overall, I think I did okay to say I was painting with my left hand only, however I think  the colour had merged a lot and was not quite as bright and inky looking as I wanted Рhowever it does correspond to my initial design.

10364402_10154155785730722_1152674347_n

Shoot: Victorian England vs. D√≠a de Muertos

25 Apr

Today I shot with Photographer Martin Beaumont and Lunar Rising (Aka Abi Wright).

The shoot was to be based on Victorian England and¬†¬†D√≠a de Muertos. Martin had wanted to add the¬†¬†D√≠a de Muertos element to his portfolio and I was keen on getting some body painting practice so was happy with this option. Martin had found a brilliant location, where we would be able to shoot it old Victoria Carriages… so we thought we would try add a little twist to the Day of the Dead theme.

Our original plans were big, however with such little time for body-painting and shooting, we found we were not able to fully carry out our ideas – so this is a project to be developed. I’m looking forward to the next step.

Special thanks to Sally Stone at West Yorkshire Playhouse Costumer Department for lending us the clothes! ūüôā

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

Shoot: Graduate Design

13 Apr

Today I worked with photographer Clare Chojnowski and Fashion Designer Sian Gabbidon from Huddersfield University.

The shoot was for a Graduating Designers clothing collection, an orange and white range of oversized garments contrasting with close fit pieces. Along with myself there was a hair stylist – I always love working with hair stylists as they always give great tips and usually are interested in knowing about my makeup work!

The makeup look was to be clean and natural, with an orangey tinge to the eye area – for this I used a beautiful multi-tonal orange form the Nyx Eyeshadow palette I bought form the IMATS last year.

unnamed

The models were absolutely stunning, towering over me in heels at around 6″3′. I’m so small. I even tried to take heels with me to offset this usual pattern – it didn’t work. It’s okay, I’m pretty sure being small is going to come in really useful for me one day soon.

unnamed-1

Final images will be up within a couple of weeks!

UPDATE

I have the final edits, I am really happy with the outcome, the girls look great and Clare’s Photography is wicked.

10001503_810814068948535_1670759772145090433_n

MUA: Victoria Stansfield PHOTOGRAPHER: Clare Chojnowski CLOTHING DESIGNER: Sian

10151372_810827328947209_4589446305030496_n

MUA: Victoria Stansfield PHOTOGRAPHER: Clare Chojnowski CLOTHING DESIGNER: Sian

10154123_810822708947671_2937135142042304527_n

MUA: Victoria Stansfield PHOTOGRAPHER: Clare Chojnowski CLOTHING DESIGNER: Sian

Shoot: Beauty and the Beasts

13 Apr

Today I shot with Photographer Kate Love, we seem to have a love of abusing the beautiful Model; Alix Dent.

10168053_250000535187007_6508934348458000303_n

Check out Kate’s site here:¬†http://misskatelove.tumblr.com/post/82509916610/i-shot-this-today-in-my-living-room-would-you

The theme of the shoot was beauty vs. unsightliness, to be created in a fashion/editorial style. I initially wanted to use old aged hands, using latex glove prosthetics; however the appliances had deteriorated by the time we got round to the shoot, so they had hardened and become more opaque.

Not worked!

Not Worked!

I took it off - start again!

I took it off – start again!

I instead decided to use Sculpt Gel for the one handed image, along with liquid latex, greasepaints, wound filler, blood and congealed blood. In my opinion the colouring is pretty shoddy, I’m really not good at this casualty style work and have no patience for it, as much as I continue to try. I just get frustrated with¬†this type of mess. I much prefer the workshop FX. That said, the final images turned out well.

Sculpt Gel

Sculpt Gel

Below is the final image for the one hand shot. I quite like it, although you can’t actually really see the sculpt gel – maybe it needed more colouring. The hand doesn’t looked as strong¬†on camera as it did on real life, it should have been old aged but it was hard to create the ageing in the sculpt gel, so I went for a more decayed but alive zombie look… having had inspiration for a development for a final image…

One Handed Shot

One Handed Shot

It seemed Kate and I were on the same wavelength, as she suggested using multiple hands; something I had been considering on the bus to the shoot! With the old aged thing failing, we decided to go for multiple decaying zombie hands, with Alix appearing to be captured by then. I made up kate’s little sister’s hands (who I had been giving a few quick lesson on FX), both of Alix’s hands and one of my own, before getting into position to take the shot.

Winner. One for the portfolio… I love Alix’s face.

Hair & Makeup: Victoria Stansfield Photography: Kate Love Model: Alix Dent

Hair & Makeup: Victoria Stansfield
Photography: Kate Love
Model: Alix Dent

Plastaline Sculpting on Fiberglass/Running Foam Latex

8 Apr

Having been to Russia, I have been racing to catch up with my work so I can join the third years in running foam latex.

Well, I made it!

When running foam latex you need to consider the room humidity along with temperature, luckily on this day it was seemingly optimal. We collected out products and got to work!

SCULPTING ON FIBERGLASS

I actually have misplaced the images for sculpting on fiberglass, so the wonderful Leanne Marsh has lent be hers. Sculpting on fiberglass is literally the same as sculpting on the plaster (see past blog post). However we cannot use plaster for foam latex as when cooking it in the over, the plaster will crack and break.

Once we have finished our sculpt, we need to use a moisture seal spray, followed by three layers of release agent spray – leaving 10minutes in between each layer so it can dry. Once this has been completed we can start out fiberglass process again (see previous post for more detail), only this time we need a add an extra layer. Layering is as follows:

  • 1x Moisture Sealant
  • 3x Release Agent
  • 1x Gel Coat
  • 1x Fiberglass Tissue
  • 2x Fiberglass Matt
Image by Leanne Marsh

Image by Leanne Marsh

Image by Leanne Marsh

Image by Leanne Marsh

Image by Leanne Marsh

Image by Leanne Marsh

Once this is all dry and fully set over 24-48hours, we need to smooth down the edges. Once this has been done, we¬†crack open the mould and clean it out using¬†a sculpt tool & brush, along with some lighter fluid and a good amount of elbow grease. Now¬†it’s time to get running!

10156835_10152416467007664_518231893_n

RUNNING FOAM LATEX

YOU WILL NEED

  • Base Agent
  • Foam Latex Agent
  • Gelling Agent
  • Curing Agent
  • Colour (we used an fleshy acrylic colour)
  • Electronic Mixer
  • Spatula
  • Fiberglass Core & Negative
  • Fiberglass Oven
  • Bolts & Screws for holes drilled into mould

METHOD

  1. Add base agent to mixing bowl, measure out required amounts of foam and curing agent.

  2. Add the curing and foam agent along with the required amount of colour (in this case it was a large pea sized amount), then set the speed to high.
  3. When the head runner calls, change the speed to low, then measure out and add the gelling agent.
  4. Once this has all been mixed together and the head runner calls, stir manually with a spatula for several minutes before adding to the fiberglass moulds. Put the two half moulds together and secure with the bolts. This then needs to go in the oven.
    10248986_10152416466802664_1785227082_n
  5. Once your piece is out of the oven, allow to cool and then remove the bolts. Slowly take out your piece. As it will be covered in ammonia, it needs to be washed several times in warm soapy water to cleanse it.

    My Squid-Woman Hand

    My Squid-Woman Hand

I was really happy with how mine turned out. No rips, bubbles – nothing! and the foam latex off went off brilliantly.

This was just a taster session and we will be studying foam latex more in the third year. I have further details on this process, so please message me if you would like to know more!