Tag Archives: film

Silicone Mould/PlatSil Appliances

12 Jun

These past few days I have been making big progress on the SFX front… I feel like I’m actually learning useable skills now! (Thanks to Natalia!!). Having created my moulds (actually I did use PlatSil for these and created a Modrock shell to keep the shape, but as I have now realised, using a stronger silicone; such as BlueSil, would have been more appropriate), I have now started creating my PlatSil pieces, encapsulated with cap plastic (2x 1:1 dilution layers, 2x 1:0 layers).

So, my first appliance… made a couple of mistakes. Definitely don’t need accelerator on a warm day!! So that didn’t work out. I also realised I only want the PlatSil in the deeper parts – as they’re flat backed pieces, it needs to be Cap Plastic backed to make sure they encapsulate properly, stick to the skin and can be blended out efficiently.

So, Version 2.0 worked out great. Now for the other 7 pieces to make!

Photo on 2014-06-11 at 14.39 #5 Photo on 2014-06-11 at 15.52 #6


End of Year Show: Preperation

9 Jun

Over the past week I have been working on my end of year show piece. I’m working in a group with some of the really great girls in my year so I’m excited to see the final results on Thursday.

My role within the group was to design the facial makeup and create the gill and spine prosthetics – I also collaborated with Shona on some of the details of her body-paint role. We all discussed what each of us had worked on and brought our ideas together to create a final plan we were all happy with, updating each other regularly with our progress on our Facebook group.

Today I am in Uni, creating the PlasSil moulds.¬†I was originally going to create 3D transfers using Pro-bondo however I have realised this won’t really work as I need to use the moulds to make several pieces. So I’m going to use liquid latex. I hate using liquid latex for prosthetics; alas, needs must. I’ve been speaking to Grace McComisky about how she creates her pieces as I need to work on more substantial materials for my appliances! (PS. Anyone want to give me some make-up work so I can earn the money to BUY these materials – much appreciate ūüėČ )


First Layer of PlatSil

First Layer of PlatSil


Reflection and Photography

3 May

I dream of travelling the world, meeting people from every corner and widening my reality.

I want to understand people’s faces, I want to learn about people not just from their words, but from what I see and experience. I feel through excessive use of media my senses have become dulled to the world around me. I have spent¬†hours and hours in from of my laptop, often living what I see as an almost purely synthetic existence. Don’t get me wrong – the internet is a vast melting pot of useful information and inspiration to be seized, but what and I really gaining from the experience? Could I be spending my time on this earth better?

Being an individual who’s every action depends upon intensive gut feelings, I think perhaps the reason my life sometimes feels so empty, is because I am not listening to what my mind and soul are asking for. Vivid, interactive personal experience.

Day 01. PHOTOGRAPHER: Victoria Stansfield

Day 01.
PHOTOGRAPHER: Victoria Stansfield

When considering my art, within the fashion industry I have found makeup can be quite passive – and is often dictated by someone else. I myself am a result of media contortion and am often incredibly self objective, as are many other women (and men). I do not want to be part of an industry in which women are made to feel uncomfortable with themselves and their lives. I watched a great Ted Talk my friend Steph posted up and it summarises these issues well. Take a look….


Whilst working within the fashion industry, we feel are creating something beautiful, but in actual fact we are producing only destruction. We are crushing the self confidence of millions of women, debilitating their daily lives and increasing self hate and jealousy. Why are we doing this to ourselves? Is this really how we think we should be acting and feeling? Is there not something better for us out there?

I feel by doing any kind of fashion makeup, I am tearing myself away from the path towards my mountain (thanks for the advice Gaiman!) Рboth morally and artistically. I feel I have been easily led into fashion by the promise of instantaneous reward, particularly in monetary terms. However, despite the draw, I am to stop taking part in this game and follow what is true to myself, now focussing on my workshop practice (the SFX discipline I most enjoy), along with performance work.

Day 02. PHOTOGRAPHER: Victoria Stansfield

Day 02.
PHOTOGRAPHER: Victoria Stansfield

Back to the photography side of this post.

I want to really focus on life, I want to get out there, see it, do it, capture it. I have decided to get back into photography. My main interest is within documentary, journalistic and portraiture photography – but I’m not going to focus on that too much whilst I learn to use my camera again. I feel by doing this I will train myself to look closer into what is around me and re-connect with people – or even just learn to connect as I am a child of the social media technology era and have grown up plugged in.

From now on, you shall be getting more mini-updates, as I invite you to share in my life adventure, one photo at a time.

I cant promise they’ll all be wonderful, but everyone starts somewhere. It’s just where it takes you along the way that is what matters.

I implore you do do something that will take you to new places, and fill your heart with light and happiness.
Look beyond your computer screen and reach to the world outside.

Day 03. PHOTOGRAPHER: Victoria Stansfield

Day 03.
PHOTOGRAPHER: Victoria Stansfield

Shoot: Beauty and the Beasts

13 Apr

Today I shot with Photographer Kate Love, we seem to have a love of abusing the beautiful Model; Alix Dent.


Check out Kate’s site here:¬†http://misskatelove.tumblr.com/post/82509916610/i-shot-this-today-in-my-living-room-would-you

The theme of the shoot was beauty vs. unsightliness, to be created in a fashion/editorial style. I initially wanted to use old aged hands, using latex glove prosthetics; however the appliances had deteriorated by the time we got round to the shoot, so they had hardened and become more opaque.

Not worked!

Not Worked!

I took it off - start again!

I took it off – start again!

I instead decided to use Sculpt Gel for the one handed image, along with liquid latex, greasepaints, wound filler, blood and congealed blood. In my opinion the colouring is pretty shoddy, I’m really not good at this casualty style work and have no patience for it, as much as I continue to try. I just get frustrated with¬†this type of mess. I much prefer the workshop FX. That said, the final images turned out well.

Sculpt Gel

Sculpt Gel

Below is the final image for the one hand shot. I quite like it, although you can’t actually really see the sculpt gel – maybe it needed more colouring. The hand doesn’t looked as strong¬†on camera as it did on real life, it should have been old aged but it was hard to create the ageing in the sculpt gel, so I went for a more decayed but alive zombie look… having had inspiration for a development for a final image…

One Handed Shot

One Handed Shot

It seemed Kate and I were on the same wavelength, as she suggested using multiple hands; something I had been considering on the bus to the shoot! With the old aged thing failing, we decided to go for multiple decaying zombie hands, with Alix appearing to be captured by then. I made up kate’s little sister’s hands (who I had been giving a few quick lesson on FX), both of Alix’s hands and one of my own, before getting into position to take the shot.

Winner. One for the portfolio… I love Alix’s face.

Hair & Makeup: Victoria Stansfield Photography: Kate Love Model: Alix Dent

Hair & Makeup: Victoria Stansfield
Photography: Kate Love
Model: Alix Dent

Eyebrow Blocking

29 Jan

Today as a class, in broken down groups we demonstrated to each other different ways of blocking out eyebrows; discussing the process, products and uses within the professional industry. The purpose of this task was not only to learn the obvious, but stretch our experimental abilities; questioning what was being asked of us and trying to formulate specific ways in which brow blocking worked for us personally.

I was in a group with Leanne and Emily, we split the task between us, sharing research, display and practical task. Prior to the presentation day, we did a trail run.

Despite our mistake in the size and cut of our eyebrow piece, we concluded that our process was the most successful in terms of visibility when done correctly. However, cap plastic application may not be required if dealing with a theatre production, as the detail will not be visible from far away. In reality, if dealing with a HD production, the actor would need to shave off or wax their eyebrows; as such small details would easily be recognised on the screen, rending coverup redundant.

Cap Plastic Application

Cap Plastic Application

Below you can see examples of the other groups’ work.


Soap Application


Wax Application


Pritt Stick Application


Pro-BOndo Application

Media Postiche: Task 1 Assessment

19 Nov

Today I did my Task 1 Media Postiche Assessment on John Godbolt.

My Victorian Style Player Shot.

My Victorian Style Player Shot.

The brief I had created was to produce a character look for TV, being filmed in 2003. The reason I chose to change my filming era was due to the fact that post 2005, HD netting would have been used. Pre 2005, HD TV was not used widespread and therefore more dated and thicker forms of net mesh would be used, such as the one available to us for use.

I decided to base my character on cricket player Billy Murdoch (though not the total look). As the TV production was to be set in 1981, Billy would have been around 37. 1981 Falls into the Victoria era, therefore the look was to also be of this period; meaning I needed to consider both historical fashion and ageing makeup in my final piece, as my model is currently 28 and of 21st Century appearance. In addition to this, environment and social influences would also need to be considered.


(Left Image: Van Loop Photography)

CREATING OLD AGED SKIN (28 aged to 37)

  1. Apply a light foundation. I used a wax palette from P.A.M. as its can be blended out to appear almost invisible, yet it still balances the subtle colour change. I used a slight green tint to colour correct undesirable red areas. I then used an HD makeup forever powder across the T-zone and cheekbones to protect against shine.
  2. Next, I used my Skin Illustrator palette to break up the youthful looking skin and create a more worn and broken down look. I added blue and green pigmentation across the skin to dull it, paying particular attention to the eyes, nose and under the cheekbones.

  3. Thirdly, I used my skin illustrator to emphasise John’s natural wrinkles, asking the model the scrunch his face so I could see where those would be. I used a blue/red/brown mix, blending out and then highlighting with the lightest colour in my palette
  4. I then added a red/orange pigmentation across the model’s upper cheeks and nose, to give the impression of a light sun-kiss, as his character regularly played cricket outdoors in the sun.
  5. I then added the pre-made moustache with spirit gum. I don’t think spirit gum works very well for this detailed work due to its colour and gloopy texture, in future I would use Pros-aide. I then styled the piece out, though I found this very hard with it being Yak hair, not human hair. I am not very happy with the overall finish, one side is thicker than the other and they are not evenly placed or styled – this need much practice but at least I got the colouring correct.
    Final Makeup

    Final Makeup
    Click for a larger Image!

    My next assessment will be Tuesday, with the beautiful Natasha modelling and amazing Scott Salt photographing her. Stay tuned!

Bonfire Night/Media & Postiche Progression.

7 Nov

This week it was Bonfire night!

I have fond memories of attending bonfire night celebrations when I was younger. I think it’s something to do with fire and a undertone of anarchy – plus the mixture of cold blasts and red hot heat across your face. I always enjoy watching firework displays, the bigger the better. They’re even more spectacular when choreographed, sending you into trance, like a deer in headlights.

Standard Firework Picture.

Standard Firework Picture.

Each year, Leeds University Circus Society do some fire performance, although this year I didn’t feel quite confident enough, it’s been a couple of years since I played with fire. Next bonfire night I will be performing for sure, perhaps in London!

In work related news, I have been progressing with my media and PDP work, I’m trying really hard to not allow the amount of work I have to do stress me out and keep to the thought that so long as I’m doing some kind of work, I’m moving forwards. I’ve been creating mood boards, drawings and tonight I did some mini makeup practice for my task three character.

Using Lara as my model, as she it up north (or in the North of England as I was corrected today) for the weekend, I set to work on an initial test piece for the Task Three makeup. This makeup will be for an acrobat character, starring in a film piece. There is much more I would like to do with this, with some added complexities to stretch my skills. I didn’t touch the skin and instead focused on the eye design. I like it, but I feel there is something missing – fake eyelashes for a start. More research and experimentation to be done.



I also created V for Vendetta makeup on Bonfire night, but as I had just missed the daylight and I was in a rush to get to piano/boxing (and didn’t fancy going with makeup on), I didn’t manage to get a worthy enough picture. I have also been totally failing with my 30 days of Sci-Fi, this time of year is so busy; I’ve decided to save that for January when everything slows down. I will however be still trying to do daily makeups to encourage my creative flow and not get too enslaved by academic work.