Tag Archives: colour

Silicone Mould/PlatSil Appliances

12 Jun

These past few days I have been making big progress on the SFX front… I feel like I’m actually learning useable skills now! (Thanks to Natalia!!). Having created my moulds (actually I did use PlatSil for these and created a Modrock shell to keep the shape, but as I have now realised, using a stronger silicone; such as BlueSil, would have been more appropriate), I have now started creating my PlatSil pieces, encapsulated with cap plastic (2x 1:1 dilution layers, 2x 1:0 layers).

So, my first appliance… made a couple of mistakes. Definitely don’t need accelerator on a warm day!! So that didn’t work out. I also realised I only want the PlatSil in the deeper parts – as they’re flat backed pieces, it needs to be Cap Plastic backed to make sure they encapsulate properly, stick to the skin and can be blended out efficiently.

So, Version 2.0 worked out great. Now for the other 7 pieces to make!

Photo on 2014-06-11 at 14.39 #5 Photo on 2014-06-11 at 15.52 #6

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Applying and Colouring a Foam Latex Piece.

13 May

Today I completed the final step of my fiberglass mould/foam latex piece process.

Having completed my hand and left it to set, I returned to apply it. Despite being stretched over the mould is did shrink slightly, however not too much that it couldn’t still be applied.

Being short on time and seeing as the hand had been cast from my own, I decided to just apply it to myself.  Unfortunately I’m right handed, and the piece was on my right hand; so I’d given myself a challenge.

I covered the area of my hand that would be touching the prosthetic in pros-aide, and then applied pros-aide to the piece. Once they had both become clear and tacky, I gently started from my finger tips and stretched the piece slowly over my hand. It stuck perfectly. As the edges were slightly too thick, I used pro-bondo (a thickened pros-aide) to smooth down and blend out the edges.

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Once I had done this I had two colouring options. A) Illustrator (alcohol based paint) or, B) Pax paint (equal parts of pros-aide and acrylic paint). Having had more practice with the illustrator i decided to go for this – I couldn’t seem to mix the Pax to the colour I wanted. I layered up my illustrator colour with a stiff brush, spraying the colour across my hand, I then used a thin brush to accent the shadow and highlight around my circular edges.

Overall, I think I did okay to say I was painting with my left hand only, however I think  the colour had merged a lot and was not quite as bright and inky looking as I wanted – however it does correspond to my initial design.

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Reflection and Photography

3 May

I dream of travelling the world, meeting people from every corner and widening my reality.

I want to understand people’s faces, I want to learn about people not just from their words, but from what I see and experience. I feel through excessive use of media my senses have become dulled to the world around me. I have spent hours and hours in from of my laptop, often living what I see as an almost purely synthetic existence. Don’t get me wrong – the internet is a vast melting pot of useful information and inspiration to be seized, but what and I really gaining from the experience? Could I be spending my time on this earth better?

Being an individual who’s every action depends upon intensive gut feelings, I think perhaps the reason my life sometimes feels so empty, is because I am not listening to what my mind and soul are asking for. Vivid, interactive personal experience.

Day 01. PHOTOGRAPHER: Victoria Stansfield

Day 01.
PHOTOGRAPHER: Victoria Stansfield

When considering my art, within the fashion industry I have found makeup can be quite passive – and is often dictated by someone else. I myself am a result of media contortion and am often incredibly self objective, as are many other women (and men). I do not want to be part of an industry in which women are made to feel uncomfortable with themselves and their lives. I watched a great Ted Talk my friend Steph posted up and it summarises these issues well. Take a look….

https://sftimes.co/?id=17&src=share_fb_new_17

Whilst working within the fashion industry, we feel are creating something beautiful, but in actual fact we are producing only destruction. We are crushing the self confidence of millions of women, debilitating their daily lives and increasing self hate and jealousy. Why are we doing this to ourselves? Is this really how we think we should be acting and feeling? Is there not something better for us out there?

I feel by doing any kind of fashion makeup, I am tearing myself away from the path towards my mountain (thanks for the advice Gaiman!) – both morally and artistically. I feel I have been easily led into fashion by the promise of instantaneous reward, particularly in monetary terms. However, despite the draw, I am to stop taking part in this game and follow what is true to myself, now focussing on my workshop practice (the SFX discipline I most enjoy), along with performance work.

Day 02. PHOTOGRAPHER: Victoria Stansfield

Day 02.
PHOTOGRAPHER: Victoria Stansfield

Back to the photography side of this post.

I want to really focus on life, I want to get out there, see it, do it, capture it. I have decided to get back into photography. My main interest is within documentary, journalistic and portraiture photography – but I’m not going to focus on that too much whilst I learn to use my camera again. I feel by doing this I will train myself to look closer into what is around me and re-connect with people – or even just learn to connect as I am a child of the social media technology era and have grown up plugged in.

From now on, you shall be getting more mini-updates, as I invite you to share in my life adventure, one photo at a time.

I cant promise they’ll all be wonderful, but everyone starts somewhere. It’s just where it takes you along the way that is what matters.

I implore you do do something that will take you to new places, and fill your heart with light and happiness.
Look beyond your computer screen and reach to the world outside.

Day 03. PHOTOGRAPHER: Victoria Stansfield

Day 03.
PHOTOGRAPHER: Victoria Stansfield

Shoot: Victorian England vs. Día de Muertos

25 Apr

Today I shot with Photographer Martin Beaumont and Lunar Rising (Aka Abi Wright).

The shoot was to be based on Victorian England and  Día de Muertos. Martin had wanted to add the  Día de Muertos element to his portfolio and I was keen on getting some body painting practice so was happy with this option. Martin had found a brilliant location, where we would be able to shoot it old Victoria Carriages… so we thought we would try add a little twist to the Day of the Dead theme.

Our original plans were big, however with such little time for body-painting and shooting, we found we were not able to fully carry out our ideas – so this is a project to be developed. I’m looking forward to the next step.

Special thanks to Sally Stone at West Yorkshire Playhouse Costumer Department for lending us the clothes! 🙂

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

Shoot: Beauty and the Beasts

13 Apr

Today I shot with Photographer Kate Love, we seem to have a love of abusing the beautiful Model; Alix Dent.

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Check out Kate’s site here: http://misskatelove.tumblr.com/post/82509916610/i-shot-this-today-in-my-living-room-would-you

The theme of the shoot was beauty vs. unsightliness, to be created in a fashion/editorial style. I initially wanted to use old aged hands, using latex glove prosthetics; however the appliances had deteriorated by the time we got round to the shoot, so they had hardened and become more opaque.

Not worked!

Not Worked!

I took it off - start again!

I took it off – start again!

I instead decided to use Sculpt Gel for the one handed image, along with liquid latex, greasepaints, wound filler, blood and congealed blood. In my opinion the colouring is pretty shoddy, I’m really not good at this casualty style work and have no patience for it, as much as I continue to try. I just get frustrated with this type of mess. I much prefer the workshop FX. That said, the final images turned out well.

Sculpt Gel

Sculpt Gel

Below is the final image for the one hand shot. I quite like it, although you can’t actually really see the sculpt gel – maybe it needed more colouring. The hand doesn’t looked as strong on camera as it did on real life, it should have been old aged but it was hard to create the ageing in the sculpt gel, so I went for a more decayed but alive zombie look… having had inspiration for a development for a final image…

One Handed Shot

One Handed Shot

It seemed Kate and I were on the same wavelength, as she suggested using multiple hands; something I had been considering on the bus to the shoot! With the old aged thing failing, we decided to go for multiple decaying zombie hands, with Alix appearing to be captured by then. I made up kate’s little sister’s hands (who I had been giving a few quick lesson on FX), both of Alix’s hands and one of my own, before getting into position to take the shot.

Winner. One for the portfolio… I love Alix’s face.

Hair & Makeup: Victoria Stansfield Photography: Kate Love Model: Alix Dent

Hair & Makeup: Victoria Stansfield
Photography: Kate Love
Model: Alix Dent

Happy Slap Boutique @ Rumpus – Shiny!

10 Apr

This weekend I worked with the ever wonderful Happy Slap at Rumpus in London.

The theme was shiny, and oh boy – do Happy Slap Boutique know how to do shiny!!

Ross

Ross

We bought about 17kg of glitter, and by the end of the night, every happy person in the place was covered in the stuff. It’s still happily trailing its way around my clothing, house, housemates, my cat and generally anything I have come into contact within the past few days. It’s a good job I like glitter.

Photography: Michael Marks

Photography: Michael Marks

On the night we had our performers in bald caps (it never ceases to amaze me how good people look in bald caps – particularly glitter covered bald caps.), we also did some collaborative body paints which was a new experience and also lots of fun, it helped eradicate that feeling of getting too intimately obsessed with a piece when on a tight time schedule, moving onto the next person as and when needed.

As usual, I can’t wait for the next one! Find us at Beaverworks for Beaverfest and the Rumpus Mega Event in June!

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Hair & Makeup: Victoria Stansfield

Hair & Makeup: Victoria Stansfield

Glitter Bath

Glitter Bath

Creating a Silicone/Fiberglass Mould

2 Apr

STEP ONE – CREATING THE NEGATIVE

Step one was very similar to step two: once I has bedded in my hand, added the wall and then poured the silicone into the mould I allowed it to set. Once it has set I removed the clay walls and wiped down the silicone.

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I then added a gel layer, followed by the two fiberglass layers. We shall talk through these processes in Step Two.100_4701

STEP TWO – CREATING THE POSITIVE.

YOU WILL NEED

  • PPE
  • Gel Coat
  • Resin
  • Catalyst
  • Fiberglass strands
  • Small square fiberglass sheets
  • Covered board
  • Clay (to stabilise mould)
  • 2x Paper cups (plastic will melt)
  • 2x Wooden mixing sticks
  • 2x Disposable brushes

METHOD

  1. Remove hand and clay from inside the Fiberglass/Silicone Negative – use water to wet the clay. You may need to remove the Outer Fiberglass shell to enable the silicone to be peeled away from the hand. Clean out the silicone mould – then sturdy horizontally with clay pieces.
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  2. Mix together the gel coat and catalyst, ensuring through mixing. Coat the silicone in this with a disposable brush, ensuring there are no bubbles being trapped in the mould. This should only be a coating, not a full layer. Make sue edges are neat and all areas are covered. Then add fiberglass stands to strengthen this and ensure the fiberglass mat fuses properly.100_4711
  3. We then add the first fiberglass matt layer. After an hour, once it has “gone green” we cut the excess away and apply our second fiberglass matt layer (as second image). Once this has dried, we have our fiberglass positive and we are ready to start sculpting!