Silicone Mould/PlatSil Appliances

12 Jun

These past few days I have been making big progress on the SFX front… I feel like I’m actually learning useable skills now! (Thanks to Natalia!!). Having created my moulds (actually I did use PlatSil for these and created a Modrock shell to keep the shape, but as I have now realised, using a stronger silicone; such as BlueSil, would have been more appropriate), I have now started creating my PlatSil pieces, encapsulated with cap plastic (2x 1:1 dilution layers, 2x 1:0 layers).

So, my first appliance… made a couple of mistakes. Definitely don’t need accelerator on a warm day!! So that didn’t work out. I also realised I only want the PlatSil in the deeper parts – as they’re flat backed pieces, it needs to be Cap Plastic backed to make sure they encapsulate properly, stick to the skin and can be blended out efficiently.

So, Version 2.0 worked out great. Now for the other 7 pieces to make!

Photo on 2014-06-11 at 14.39 #5 Photo on 2014-06-11 at 15.52 #6

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End of Year Show: Preperation

9 Jun

Over the past week I have been working on my end of year show piece. I’m working in a group with some of the really great girls in my year so I’m excited to see the final results on Thursday.

My role within the group was to design the facial makeup and create the gill and spine prosthetics – I also collaborated with Shona on some of the details of her body-paint role. We all discussed what each of us had worked on and brought our ideas together to create a final plan we were all happy with, updating each other regularly with our progress on our Facebook group.

Today I am in Uni, creating the PlasSil moulds.¬†I was originally going to create 3D transfers using Pro-bondo however I have realised this won’t really work as I need to use the moulds to make several pieces. So I’m going to use liquid latex. I hate using liquid latex for prosthetics; alas, needs must. I’ve been speaking to Grace McComisky about how she creates her pieces as I need to work on more substantial materials for my appliances! (PS. Anyone want to give me some make-up work so I can earn the money to BUY these materials – much appreciate ūüėČ )

Onwards!

First Layer of PlatSil

First Layer of PlatSil

 

Applying and Colouring a Foam Latex Piece.

13 May

Today I completed the final step of my fiberglass mould/foam latex piece process.

Having completed my hand and left it to set, I returned to apply it. Despite being stretched over the mould is did shrink slightly, however not too much that it couldn’t still be applied.

Being short on time and seeing as the hand had been cast from my own, I decided to just apply it to myself. ¬†Unfortunately I’m right handed, and the piece was on my right hand; so I’d given myself a challenge.

I covered the area of my hand that would be touching the prosthetic in pros-aide, and then applied pros-aide to the piece. Once they had both become clear and tacky, I gently started from my finger tips and stretched the piece slowly over my hand. It stuck perfectly. As the edges were slightly too thick, I used pro-bondo (a thickened pros-aide) to smooth down and blend out the edges.

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Once I had done this I had two colouring options. A) Illustrator (alcohol based paint) or, B) Pax paint (equal parts of pros-aide and acrylic paint). Having had more practice with the illustrator i decided to go for this – I couldn’t seem to mix the Pax to the colour I wanted. I layered up my illustrator colour with a stiff brush, spraying the colour across my hand, I then used a thin brush to accent the shadow and highlight around my circular edges.

Overall, I think I did okay to say I was painting with my left hand only, however I think  the colour had merged a lot and was not quite as bright and inky looking as I wanted Рhowever it does correspond to my initial design.

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Reflection and Photography

3 May

I dream of travelling the world, meeting people from every corner and widening my reality.

I want to understand people’s faces, I want to learn about people not just from their words, but from what I see and experience. I feel through excessive use of media my senses have become dulled to the world around me. I have spent¬†hours and hours in from of my laptop, often living what I see as an almost purely synthetic existence. Don’t get me wrong – the internet is a vast melting pot of useful information and inspiration to be seized, but what and I really gaining from the experience? Could I be spending my time on this earth better?

Being an individual who’s every action depends upon intensive gut feelings, I think perhaps the reason my life sometimes feels so empty, is because I am not listening to what my mind and soul are asking for. Vivid, interactive personal experience.

Day 01. PHOTOGRAPHER: Victoria Stansfield

Day 01.
PHOTOGRAPHER: Victoria Stansfield

When considering my art, within the fashion industry I have found makeup can be quite passive – and is often dictated by someone else. I myself am a result of media contortion and am often incredibly self objective, as are many other women (and men). I do not want to be part of an industry in which women are made to feel uncomfortable with themselves and their lives. I watched a great Ted Talk my friend Steph posted up and it summarises these issues well. Take a look….

https://sftimes.co/?id=17&src=share_fb_new_17

Whilst working within the fashion industry, we feel are creating something beautiful, but in actual fact we are producing only destruction. We are crushing the self confidence of millions of women, debilitating their daily lives and increasing self hate and jealousy. Why are we doing this to ourselves? Is this really how we think we should be acting and feeling? Is there not something better for us out there?

I feel by doing any kind of fashion makeup, I am tearing myself away from the path towards my mountain (thanks for the advice Gaiman!) Рboth morally and artistically. I feel I have been easily led into fashion by the promise of instantaneous reward, particularly in monetary terms. However, despite the draw, I am to stop taking part in this game and follow what is true to myself, now focussing on my workshop practice (the SFX discipline I most enjoy), along with performance work.

Day 02. PHOTOGRAPHER: Victoria Stansfield

Day 02.
PHOTOGRAPHER: Victoria Stansfield

Back to the photography side of this post.

I want to really focus on life, I want to get out there, see it, do it, capture it. I have decided to get back into photography. My main interest is within documentary, journalistic and portraiture photography – but I’m not going to focus on that too much whilst I learn to use my camera again. I feel by doing this I will train myself to look closer into what is around me and re-connect with people – or even just learn to connect as I am a child of the social media technology era and have grown up plugged in.

From now on, you shall be getting more mini-updates, as I invite you to share in my life adventure, one photo at a time.

I cant promise they’ll all be wonderful, but everyone starts somewhere. It’s just where it takes you along the way that is what matters.

I implore you do do something that will take you to new places, and fill your heart with light and happiness.
Look beyond your computer screen and reach to the world outside.

Day 03. PHOTOGRAPHER: Victoria Stansfield

Day 03.
PHOTOGRAPHER: Victoria Stansfield

Shoot: Victorian England vs. D√≠a de Muertos

25 Apr

Today I shot with Photographer Martin Beaumont and Lunar Rising (Aka Abi Wright).

The shoot was to be based on Victorian England and¬†¬†D√≠a de Muertos. Martin had wanted to add the¬†¬†D√≠a de Muertos element to his portfolio and I was keen on getting some body painting practice so was happy with this option. Martin had found a brilliant location, where we would be able to shoot it old Victoria Carriages… so we thought we would try add a little twist to the Day of the Dead theme.

Our original plans were big, however with such little time for body-painting and shooting, we found we were not able to fully carry out our ideas – so this is a project to be developed. I’m looking forward to the next step.

Special thanks to Sally Stone at West Yorkshire Playhouse Costumer Department for lending us the clothes! ūüôā

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

MUA: Victoria Stansfield, PHOTOGRAPHER: MArtin Beaumont, MODEL: Lunar Rising

Shoot: Graduate Photography with Nisha Clutton

24 Apr

Today I shot with Photographer Nisha Clutton and Model Zoe Harlotti.

The shoot was organised by Nisha, who was looking to build her fashion photography portfolio for university. She found myself and Zoe using the website Purple Port. A website on which artistic professionals and enthusiasts are able to search for others when wanting to offer paid work or work on collaborations.

In the shoot I was asked to do one makeup look, with a slicked back hairstyle. The makeup was to be based on a brief sent by Nisha; which consisted of using dark smokey eyes and metallics. It gave me the opportunity to experiment with eye makeup, something I am less confident with and I was pleased with the results.

I have to say, initially the makeup I did I was great – though once done, I tried to add vaseline for a wet look; it didn’t really work. The makeup blending I had spent so much time on became blurred and wiping the vaseline cause strong lines. I need to look into more methods of creating wet look effects.

Despite this, the final images looked wonderful. Thanks girls!

MUA: Victoria Stansfield, PHOTOGRAPHER: Nisha Clutton, MODEL: Zoe Harlotti

MUA: Victoria Stansfield, PHOTOGRAPHER: Nisha Clutton, MODEL: Zoe Harlotti

Shoot: Graduate Design

13 Apr

Today I worked with photographer Clare Chojnowski and Fashion Designer Sian Gabbidon from Huddersfield University.

The shoot was for a Graduating Designers clothing collection, an orange and white range of oversized garments contrasting with close fit pieces. Along with myself there was a hair stylist – I always love working with hair stylists as they always give great tips and usually are interested in knowing about my makeup work!

The makeup look was to be clean and natural, with an orangey tinge to the eye area – for this I used a beautiful multi-tonal orange form the Nyx Eyeshadow palette I bought form the IMATS last year.

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The models were absolutely stunning, towering over me in heels at around 6″3′. I’m so small. I even tried to take heels with me to offset this usual pattern – it didn’t work. It’s okay, I’m pretty sure being small is going to come in really useful for me one day soon.

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Final images will be up within a couple of weeks!

UPDATE

I have the final edits, I am really happy with the outcome, the girls look great and Clare’s Photography is wicked.

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MUA: Victoria Stansfield PHOTOGRAPHER: Clare Chojnowski CLOTHING DESIGNER: Sian

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MUA: Victoria Stansfield PHOTOGRAPHER: Clare Chojnowski CLOTHING DESIGNER: Sian

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MUA: Victoria Stansfield PHOTOGRAPHER: Clare Chojnowski CLOTHING DESIGNER: Sian